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Digital – IMAASource https://imaa.ca/source The Canadian source for media art organizational learning. Tue, 31 May 2022 21:16:37 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.4 https://imaa.ca/source/wp-content/uploads/2017/04/favicon-1.png Digital – IMAASource https://imaa.ca/source 32 32 Online Media Arts Presentation Standards https://imaa.ca/source/library/online-media-arts-presentation-standards/?utm_source=rss&utm_medium=rss&utm_campaign=online-media-arts-presentation-standards Tue, 29 Mar 2022 19:31:04 +0000 https://imaa.ca/source/?post_type=lsvr_lore_kb&p=2123

The sudden surge of new presentation models exposes an urgent need to formalize standards for streaming and other types of online presentation for the media arts sector.

To address these issues, IMAA engaged in a national conversation with media artists, arts service organizations, media arts festivals and independent distributors, galleries, and other presenters. This project took place in 2021.


Publications

Intellectual Property

Intellectual Property and Online Presentation: Guidelines and Resources for Media Arts Presenters

With a focus on equity and transparency, this guide presents the legal framework for intellectual property, the challenges it presents, and Indigenous perspectives on the subject. This document includes:

    • An overview of the legal framework that regulates intellectual property in Canada;
    • A discussion of how this framework impacts media artists and presenters;
    • An introduction to Indigenous perspectives on intellectual property.

Contracts Checklist between media arts presenters and artists or copyright holders

IMAA recommends that presenters and artists (or copyright holders) enter into agreements via signed contracts. A signed contract is the clearest way to record the terms of an agreement. This resources includes:

    • General guidelines for developing contracts;
    • A list of items to include in a contract;
    • An overview of what to specify for online presentation contexts.

Accessibility

Towards Accessible Online Presentation Models: Introduction and Resources for the Media Arts Community

What “equity through accessibility” might mean in the context of your activities. This resource was developed to raise awareness of questions related to accessibility and online presentation. This document includes:

    • IMAA’s Position Statement on Accessibility;
    • An introduction to Key Concepts;
    • An overview of the Canadian Legal Framework that impacts the D/deaf and disability community;
    • a set of Guiding principles;
    • A list of Prompts and questions that media arts organizations should ask themselves.

Technical

Online Presentation Workflow: Resources for the Media Arts Community

Online presentation initiatives involve a range of technology solutions, from ready-to-use platforms to custom-built websites and digital tools. This resource was developed as a map to help media arts presenters navigate the online presentation process. You will find in this document a series of questions and items to consider:

    • throughout the process,
    • in the planning phase,
    • the presentation phase, and
    • after the presentation.

Online Presentation Workflow chart

Simplified, graphical representation of the Online Presentation Workflow document.

Tools

Fee Schedule

Fee Schedule

The IMAA Fee Schedule recommends fees for screenings and audio presentations, exhibitions, professional fees, educational use of media art works, and print reproduction of film/video stills in both in-person and online contexts.

Glossary

Glossary of Terms: Online Media Arts Presentation Standards

This glossary presents terms related to Accessibility, Intellectual Property and Copyright, the IMAA Fee Schedule and Technical Vocabulary for online presentation.

External resources

External Resources: Online Media Arts Presentation Standards

This directory provides external resources about online presentation.


How did we work?

As part of this project, the following consultation activities were also organized:

  • 2 bilingual public meetings in which approximately 160 people from over 60 organizations participated.
  • Interviews with 19 members of the independent media arts community.
  • 1 community survey on royalties and artists’ fees
  • 1 information session in preparation for the IMAA General Assembly in 2021.

Working groups

The groups met regularly in the spring and summer of 2021 to support research, discuss best practices, and provide feedback on draft documents. These groups were formed through a call for applications and by invitation.

Expert presentations were organized to complement group discussions.

Intellectual Property and Remuneration

The online presentation and distribution of media artworks challenge existing models for the remuneration of artists and raises specific issues related to intellectual property.

This working group was directly involved in the development of the IMAA 2022 Fee Schedule, Intellectual Property and Online Presentation: Guidelines and Resources for the Media Arts Community and the Contracts Checklist.

Membres

Expert presentations

Online Accessibility

Putting into practice accessibility-driven values – offline and online – is an ongoing process in which the media arts community is engaged. This group focused on the development of a common understanding of what is meant by accessibility and how this translates into online presentation practices.

This working group was directly involved in the development of the document Towards Accessible Online Presentation Models: Introduction and Resources for the Media Arts Community. It is also important to note that many members of the group self-identify as being part of D/deaf and disability communities.

Members

Expert presentations

Technical Considerations

Digital technology changes the playing field for media arts presenters and distributors, providing multiple new ways of disseminating work and reaching audiences. However, from a technical point of view, online presentation comes with its own set of issues.

This working group was directly involved in the development of the document Online Presentation Workflow: Resources for the Media Arts Community.

Members

Expert presentations

Team and governance

Advisory Committee

The advisory committee defined the main orientations of the research and its members act as a liaison with their organizations and communities to publicize the project’s activities.

Project Team

Research

  • Mariane Bourcheix-Laporte, Principal Researcher, PhD in Communication, Simon Fraser University
  • Roxanne Hallal, Research Assistant

The Independent Media Arts Alliance

  • Benjamin J. Allard, Project Manager
  • Barbora Racevičiūtė and Emmanuel Madan, National Director
  • Marilyne Parent, Engagement Manager
  • Mercedes Pacho, Director of Communications and Development
  • Leyla Sutherland, Project Manager (internships and mentoring)

Translation and French linguistic revision
Coop l’Argot

Specialized linguistic revision
Cara Eastcott, George Azzaria, Maxime D.-Pomerleau, Véro Leduc and members of the working groups.

Moderators of the first round table
Anyse Ducharme, Genne Speers, John Blouin, Madeleine Piller, Roxane Halary et Stéphanie Lagueux.

Special thanks
Many people have accompanied this project with their advice and generosity.
Aaron Zeghers, Barb Taylor, Hélène Brousseau, Isabelle L’Heureux, Josée Plamondon, Laurence Parent.

 

About and Acknowledgements

An IMAA project

The Independent Media Arts Alliance (IMAA) is a member-driven non-profit national organization working to advance and strengthen the media arts community in Canada. Representing over 100 independent film, video, audio, and new media production, distribution, and exhibition organizations in all parts of the country, the IMAA serves over 16,000 independent media artists and cultural workers.

Partners

We acknowledge the support of the Canada Council for the Arts, Archive/Counter-Archive, and Simon Fraser University.

We also thank the supporters of this project.

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SEO https://imaa.ca/source/library/seo/?utm_source=rss&utm_medium=rss&utm_campaign=seo Tue, 13 Oct 2020 13:59:38 +0000 https://imaa.ca/source/?page_id=1286 Discoverability for Creative Content

Intro: Content Everywhere

Artists and art organizations need to connect with audiences. Today, the easiest methods are creating content for computer, tablet and phone, or sharing content on social media. With the growth of device types and internet speed there are many more places content can reach. Audiences would like to connect to content when they want it, how they want it and where they want it. As a result, artist digital content needs to be formatted to reach all these places.

The increase in types of devices such as smart watches and speakers, digital content aggregators and better technology for voice and accessibility means that content can be accessed through expanding means. The development of 5G worldwide will mean that even more data can move faster across available pipelines. On the flip side, there are still places in Canada with little or no internet connection, especially rural areas. Some Canadians access the internet at the library.

In this resource, you’ll learn how to use Search Engine Optimization (SEO), and other best practices to ensure your digital content reaches as many people as possible – including Disabled Canadians. The good news is, the best practice to address both situations is the same: keep content in the simplest form so all can access it. At the end we’ll share some thoughts on what the future will bring and some alternatives to internet giants.

    1. SEO

  • a. What is Search Engine Optimization and Why Does it Matter?

  • For artists and arts organizations, getting your name and your work out into the world is important, and having a website is one of the key ways to do just that. But what’s the use of a website if nobody sees it?

    Photo of Three people on a cafe patio search for content on a laptop computer.
    Photo of Three people on a cafe patio search for content on a laptop computer. Photo by Helena Lopes.

    That’s where Search Engine Optimization, or SEO, comes in.

    SEO is a set of techniques to help make a website rank higher in search engine results pages (which are referred to as SERPs).

    Why does this matter? Well, most people don’t actually go past the first couple of pages of search results. That means that if you want people to find your website more easily through search, you’ll want to make sure it ranks on those first few pages.

    Fortunately, there are things you can do to help make this happen.

    Keep in mind that SEO is a long-term strategy. Once you’ve started implementing these techniques, don’t expect for traffic to flow to your site overnight. It takes time and patience to see the benefits, and optimizing your website is something that you should keep up with as long as your site is up, especially since search engine algorithms are always changing.

     

    How Search Engines Index Your Content

    Search engines use software known as web crawlers to gather information across the internet from publicly available web pages.

    Google describes the process like this:

    The crawling process begins with a list of web addresses from past crawls and sitemaps provided by website owners. As our crawlers visit these websites, they use links on those sites to discover other pages. The software pays special attention to new sites, changes to existing sites and dead links.

    Search engines then take all the information on these pages and organize it in a search index. Crawlers are constantly gathering information, so whenever you add a new page or update a page on your site, search engine crawlers will eventually find it and add it to their index, although there are certain things you can do to speed up the process, like submitting XML sitemaps.

    Based on the information on these pages, as well as several other factors, search engines use algorithms to determine what results to return to a user in response to their query — and how they rank.

     

    Authority and Relevance

    When ranking web pages, search engines take into account relevance and authority. When it returns results to a user, it’s looking for pages that are authoritative and are relevant to their search query.

    Relevance: Is the content of your page relevant to the user’s search query?

    Authority: Does your website have influence? There are many factors involved in determining whether your site is authoritative, including age, popularity and size.

  • b. Keyword Research and Planning

  • c. On-Page SEO

  • d. Off-Page SEO

  • e. Social Media

  • f. Optimizing Images

  • g. Optimizing Videos

  • h. Measuring Results

  •  

    2. Audiences with Disabilities

  • a. Access is a Human Right

  • b. Inclusion of the Disabled Community

  • c. Understanding Disabled User Needs

  • d. Content Formats

  •  

    3. The Future

    New technology is changing the way audiences consume information, but also increasing the ways in which artists and art organizations can deliver it.

  • a. Internet of Things (IoT)

  • b. Voice

  • c. Artificial Intelligence (AI)

  • d. Exponential Growth of Media

  •  

    4. Alternatives to Internet Giants

  • Artists and art organizations are now very dependent on the top search engine in the world Google, along with artificial intelligence, and that raises some issues.

    Google was found to have acquired the personal health records of 50 million Americans without their consent. “The forces taking the web in the wrong direction have always been very strong,” www founder Tim Berners-Lee said. Whether you’re a company or a government, controlling the web is a way to make huge profits, or a way of ensuring you remain in power. In Toronto the Google Sidewalk project was cancelled due to citizen’s concerns about data ownership.

    Citizens are arguably the most important part of this, because it’s only citizens who are motivated to hold government and business to account. Many people and organizations are concerned about the hold of internet giants. Here’s some examples of what they are doing to create alternatives:

    1. Toronto based tech company Vubble and Seneca College have launched an innovative AI Video Categorization Project. They advocate for human driven keyword tagging to offset the AI data stereotypes that are dogging our internet world
    2. Sir Tim Berners Lee has created a World Wide Web Foundation and is calling for a free web where profits don’t decide what happens and where individuals can store their data in one place and control it.
    3. There are many apps and other initiatives underway to preserve languages. AI systems give preference to the most commonly spoken languages in the world. Languages that are not captured by Google are at a disadvantage in search. For example Google only translates two Indigenous languages in the Americas. You can help by contributing to initiatives such as Opie Robots.
    4. DuckDuckGo was founded in 2008 by Gabriel Weinberg, who wanted to create a new search engine, with better results and less spam. The search engine, which registers around 50 million searches per day, uses hundreds of sources for its results, including Russia’s Yandex. The company says it has a simple privacy policy of not storing or sharing personal information.
    5. Blockchain and edge computing may be two future alternatives. EU research tells us that these two technologies may be able to come together to provide a means for individuals to store their data and control it within the data lake that is likely in the future. Will this also apply to art and art organization material?
    6. Facebook alternative MeWe, a social networking app that claimed to fiercely protect user privacy. However has come under fire for attracting far right proponents.
  •  

    5. Research Team

     

  •  

    This resource was researched and written by Sage Lovell, Althea Manasan and Barb Taylor. Project team includes Editor Ananda Korchynski, UX designer Althea Balmes, Project Leads Madi Piller of PIX FILM Collective and Barb Taylor of Coyle Films. Special thanks to Alexandra Gelis. Funded by Canada Arts Council Digital Program, this project was initiated by Barb Taylor to share new trends in SEO with artists. Participating organizations include Liaison of Independent Filmmakers of Toronto, PIX FILM Collective and BC Alliance for the Arts. Thanks to our gracious web home IMAA! Special thanks to workshop ASL interpreters Amanda Hyde, Carmelle Cachero and Thurga Kanagasekarampillai.

    Logos

    Logo of Coyle Films

    Logo PIX FILM Collective

    Logo of Liaison of Independent Film and Television

    Logo of BC Alliance Arts and Culture

    Logo of of Deaf Spectrum

    Logo of IMAA

    Logo of Canada Councile for the Arts

  • ]]>
    Cyber safe and sound https://imaa.ca/source/library/cyber-safe-and-sound/?utm_source=rss&utm_medium=rss&utm_campaign=cyber-safe-and-sound Tue, 13 Oct 2020 13:44:06 +0000 https://imaa.ca/source/?post_type=lsvr_lore_kb&p=1273

    Why is it important to the media arts and the cultural sector as a whole? On this website, you’ll find everything you’ve ever wanted to know about cybersecurity and cybercitizenship. Enjoy!

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